Gemini Omni Flash

... sa știi: a fost lansat Gemini Omni, un model nou cu abilități... extrem de rapidă numită Gemini 3.5 Flash, optimizată pentru a elimina.... O altă noutate majoră este Gemini Spark, un asistent care lucrează...

...。 四、谷歌发布 Gemini Omni，语音指令即... 大会上，全新 Gemini Omni 模型正式亮...、中国最大 NOR Flash 代工厂终止...国内最大 NOR Flash 厂商，新芯与...

...: 19 - 05 - 2926 " GEMINI OMNI " (Gemini Omni viene rilasciato a livello globale... di almeno 18 anni). Gemini Omni è il nuovo partner creativo...- 05 - 2026 " GEMINI 3.5 FLASH " Il nuovo e miglior...principale è l'integrazione principale di Gemini Live non solo come "..., ma grazie al modello Gemini 3.5 Flash " capirà " il contesto ...grande novità : l'agente 'sempre attivo' " GEMINI SPARK " Sebbene non sia " ...

...低成本的 Gemini 3.5 Flash，還直接解...鎖了世界模型 Gemini Omni... 跟通用代理 Gemini Spark 完...面對決 3.5 Flash 主打的就是...為 Google 搜尋和 Gemini App 的全球預...

...models, including: Gemini 3.5 Flash, Gemini 3.5 Pro, and Gemini OMNI -https://www.... Gemini 3.5 Flash https://blog.google/innovation-and-ai/models-and-research/gemini-models/gemini-3-5/#gemini-3-5-flash  Omni ... prompt injected we’ve got Gemini Spark - https://www.theverge...934478/if-google-cant-make-ai-agents-useful-maybe-no-one-can   Original Source https://gemini.google/overview/agent/spark/    ...

...내 '제미니(Gemini)'라는 단어....5 플래시(Gemini 3.5 Flash)'를 기본...미니 3.5 (Gemini 3.5 Flash & Pro) 제미...제미니 옴니 (Gemini Omni)' 구글은 "어...미니 스파크 (Gemini Spark)' '제미... 위한 제미니 (Gemini for Science) 기조연... annual developer conference, from Gemini Spark, Omni and Search to Shopping, XR...

Not sure if this is overhyped yet, but I think the interesting part of Gemini Omni Flash is not “AI can generate another 10-second clip.” It’s that Google is trying to make video editing stateful. Most AI video tools still feel like this: prompt → generate clip → hate one detail → regenerate → lose the character/scene/motion Omni’s pitch is closer to: start with a clip → change the background → keep the same person → change the camera angle → keep the lighting/context → add or remove objects → don’t restart from zero That’s a pretty different workflow. The demos are obviously cherry-picked, and the limits are still real: - short clips - safety filters - likely a lot of weird edge cases - motion/identity consistency still won’t be perfect - not really a replacement for professional editing yet But I think “editing-first” might be the actual useful path for AI video. Prompt-to-video is cool, but most creators don’t want to throw away footage every time they need one change. They want to keep the shot and modify it. My read: This is probably more threatening to thin AI video wrapper startups than to actual editors. The moat may be distribution, not just model quality: Gemini app + Flow + YouTube Shorts is a huge funnel. The real test is not the launch demos, but whether normal users can make 5-10 sequential edits without the scene falling apart. If this works, AI video starts looking less like “generate me a clip” and more like a weird natural-language After Effects layer. Curious what people here think: is editing-first the real direction for AI video, or are we still mostly in demo-land? submitted by /u/Exact_Pen_8973 to r/PromptEngineering [link] [comments]

submitted by /u/Individual_Hand213 to r/VEO3 [link] [comments]

submitted by /u/Individual_Hand213 to r/SoraAi [link] [comments]

We ran the exact same insane prompt through Gemini Omni Flash and Seedance 2.0 to see which model handles absurd cinematic scenes better. The setup is complete chaos: A robot cowboy scavenger On a luxury yacht Fishing a bluefin tuna Blood all over the deck Cash scattered everywhere A dopey ostrich just vibing in the middle of it all Plus: atomic punk 1960s retro-futurist styling, zombie apocalypse aftermath, harsh summer sunlight, photorealistic physics, single-take fixed camera, and a full action sequence where the robot lands the fish then pulls a revolver and shoots it. Here is the full original prompt we used: "【Basic Settings】 Robot Scavenger: A slender male humanoid robot, 180cm tall, designed in a 1960s atomic punk style. Possesses self-awareness. Facial LED display screen replaces facial features, showing low-resolution pixel-style expressions (expressions have no dynamic effects, remain in static frame display, with sci-fi sound effects during expression switches). Wears an American Western cowboy retro-style natural brown cowboy hat, black matte high-waisted design leather jacket, black matte leather gloves, cowboy belt, and holster. Mannequin Model: A posable realistic fashion mannequin, 170cm tall, in a 1960s American retro golden age style. Jointed assembly structure for changing poses, specifically for clothing display. African Ostrich: An adult male African ostrich, with a dopey-looking appearance, eyes skewed asymmetrically, tongue lolling out crookedly Scene: 1960s American retro atomic punk coastal city, zombie crisis outbreak, private yacht after a major battle, steeped in deathly silence, 6 PM with glaring sunlight scattering, sea surface shimmering with waves, air slightly distorted by heat waves under the blazing sun. Overall atmosphere luxurious and relaxed, blending vacation laziness with high-end retro futurism. Distant background is the atomic punk-style coastal city shoreline, main frame subject is an extremely luxurious large yacht on the sea surface, with zombie corpses and bloodstains from dragging and smearing scattered everywhere on the yacht, littered with banknotes, perfume bottles, wine glasses, red wine bottles, broken glass, and tattered dirty swimsuits. Sound: No background music needed, no ambient sound, retain only diegetic sound. 【Atmosphere and Image Quality】 Style Core: Atomic punk, zombie crisis, doomsday romance, black humor, cinematic texture, hyper-realistic, ultra-lifelike, Photorealism- real person real scene shooting, eliminate game CG feel, prohibit sluggish stiff movements, prohibit logical confusion. Visual Tone: Deformed widescreen cinematic texture. Shot using IMAX film camera paired with Panavision C-series lenses (add motion blur). Leisurely comfortable atmosphere forms a stark absurd contrast with the doomsday environment. Color and Tone: 1960s retro sci-fi atomic punk aesthetic, retro warm orange + sea salt blue high-contrast palette, film grain texture, high-contrast tones, minimalist futurist vacation vibe, American 1960s retro utopia, details maxed out, architectural textures sharp, lighting and shadows in layered depth. Midsummer blazing sun overhead, high-saturation intense daylight, hard-edged light and shadow contrasts, frame retains shadow details, highlights with subtle soft focus and moderate film grain. 【Frame Content】 Shot Breakdown: Single continuous take, one shot to the end. Shot Scale: Eye-level full shot. Composition: Centered composition. Camera Movement: Fixed position. Frame Content: The mannequin model sits on the stairs on the right side of the frame, posture dignified, sweetly elegant, remaining completely still. The robot stands at the center of the deck, facial LED screen fixed on a white thinking expression, facing the left side of the frame, engaged in sea fishing. Robot's legs spread wide in a firm horse stance, body leaning back to its limit with full exertion, both hands gripping the sea fishing rod tightly, rod bent into a full extreme bow, high-tension fishing line taut straight into the sea surface; robot steadily turns the reel to retrieve line, sea surface churns violently with white foam splashing everywhere, a 60cm-long silver-blue bluefin tuna bursts out of the water, thrashing wildly with sprays of water flying, line remains perpetually taut without slack; under steady control from the fishing stance, continues reeling in, slowly pulling the still slightly struggling tuna to the yacht's gunwale, fully presenting the entire process from exerting to battle the fish to successfully landing the tuna, splashing water droplets gleaming golden in the sunset, dynamic tension and visual impact maxed out. Then the robot holds the rod single-handed in the left hand, draws the revolver from the waist holster with the right, pulls the trigger to shoot the tuna dead with one shot, tuna instantly ceases movement, blood seeping into the seawater. Upon seeing this, the robot's facial LED screen switches to a green smiling expression, throws head back in a scheming triumphant "haha" laugh. Sea surface reflections, splashing water physics effects precisely recreated, character actions conform to human kinematics, rod, line, tuna movements fully match real physics logic, no stuttering, no clipping, no frame skips, full consistency in scene, characters, props throughout" Honestly, this is one of those prompts where you can immediately see which model starts falling apart and which one keeps the scene under control. Watch till the end before you pick a side. Which one is better? Gemini Omni Flash or Seedance 2.0? Drop your verdict below 👇 submitted by /u/Individual_Hand213 to r/GeminiOmniAI [link] [comments]

submitted by /u/Fresh-Resolution182 to r/Bard [link] [comments]

Google's been hyping Gemini Omni Flash since I/O last week. Wanted to see how it actually stacks up against Seedance 2.0 on the same fight choreography — character interaction, body mechanics, motion coherence. Video attached: same fight scene prompt run through both. Top half is Seedance 2.0 standard. Bottom half is Gemini Omni Flash. What I see: Body mechanics: Seedance 2.0 holds physical realism through the full motion arc. Omni Flash gets the framing right but the actual punches don't land where the camera expects them to. Character interaction: Seedance keeps both characters spatially coherent through the entire clip. Omni loses one of them mid-sequence. Style consistency: Both look cinematic on still frames. Seedance stays cinematic during motion, Omni starts feeling like cutscene previz. Omni Flash is genuinely impressive on multi-turn editing and physics simulation for static-ish scenes (the marble-on-track demo is wild). But for combat / fight / dance / high-motion human work — Seedance 2.0 is still the one to beat. Veo 4 might close the gap when it lands. Running Seedance through Atlas Cloud at $0.073/sec stacked through June. Omni Flash via Google Flow. Same prompts. Anyone else done side-by-sides on high-motion work? Curious what scenes break each model first. submitted by /u/Fresh-Resolution182 to r/aivideos [link] [comments]